DMillier

A welcome antidote to obsessing about the perfect settings Photography is not a recipe Good one Adrian.

I think there are two common usages of the term "standard zoom". In 35mm terms: 1. Kit lens, typically 24-70, 28-80 kind of thing.  I have a 12-32 for m4/3, 14-50 for aps-c and vintage 28-70 for ...

Ah, Rotherhithe, Isle of Dogs and Greenwich. Spectacular, especially through a window. So much detail in the second one, I've been squinting to see whether I'm down there somewhere waving at the ...

I've been enjoying your website, particularly liked the V.V.TV series. Shots like the first frame and the one with the traffic cone and tape are kind of my preferred style of photography. Simple, ...

A lovely portfolio and a testament to the power of the photo series, rather than standalone shots. You might enjoy the work of Paul Hart. He has a multi-book project documenting the fens of East ...

I don't believe there is much of a connection between display medium dynamic range and subject capture dynamic range.

A subject can have between a tiny brightness range and and almost an infinite...

Don't modern sensors include stuff that once upon a time was part of off-sensor processors (like ADCs)?

If and when the FFF, arrives it will be a return to the original X3 architecture, I believe. The Quattro models have their fans and their detractors but they did seem to bring a more "natural" ...

Based on DPR's comparison tool used in "Comp" mode, I compared the XH2 to my Lumix G9 in pixel shift mode and my A7Rii and GFX50s. The G9 and XH2 are the only ones that aren't corrupted by colour ...

That might have something to do with the Fuji film emulation LUTs I'm using :-)

Tokina 28-70mm f/3.5-4.5 SD Mkii on GFX50s. Vignettes badly, only usable 1:1 crop. Round about Grain, Hoo peninsula, Kent. For crisper images, click the original size links. Half hearted welfare Co ...

Found a subject close enough to illuminate with phone. That'll have to do.

Evf and scree are on but even boosting iso. To max makes no difference to the view.with most cameras you can see more through the evf than you can with your eyes, but not this one...

So I'm sitting on the sea wall in the pitch dark. I can see nothing through the gfx50s viewfinder. Is there a setting for this? I'd really like to be able to compose and focus. I seem to remember ...

Cheers Keith.

I think I was focused on the points which are further away than the tower. No hot pixels in the 8m exposure, amazingly. It may depend on ambient temperature, it was chilly. B&W version from 2011 ...

It's only an hour away, I'm going back today in daylight with my filters. I've shot this place several times over 10 years or so with different cameras. I still got lost in the dark last night :-) ...

I'm just about to go out for the day with my GFX50s and this lens I found in my old lenses box:  a Tokina 28-70mm SD zoom from the 1980s. Crazy, I know, but 28mm is wider than any medium format ...

The fort is over half a kilometer/2000 feet out to sea and my only light was my phone, which can illuminate about 6 feet, lol.  i focused using the infinity end stop, but looking at the images ...

I'm posting these because I messed up. It was so dark that I couldn't see the subject through the viewfinder and therefore couldn't focus. I also underexposed between 2 - 3 stops. And yet, despite ...